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ART WITHOUT BORDERS-TRAVELING LIGHT SHOW
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BIOGRAFIA - ESPANOL
BIOGRAFIA ARTISTA
•Museo de la Ciudad de Tecate, B. C. Méx.
•Richard Nixon Library and Museum, Yorba Linda , CA.
•Museo Miguel Hidalgo Abasolo, Guanajuato. Méx
•Museo Bowers, Santa Ana, CA.
•Casa de Cultura de Zamora, Michoacan. Méx.
•Centro Cultural de la Raza, San Diego, CA.
•Centro Cultural Queen Bee`s, en San Diego CA.
•Museo de la Ciudad de Panamá.
•Museo de la Ciudad de Irapuato, Guanajuato. Méx.
•Museo de la Ciudad de El Salvador. El Salvador.
•Museo de Arte de Neon, Los Angeles, CA.
•Palacio de la Cultura Tijuana, B.C. Méx.
•Casa de Cultura de Playas, Tijuana B.C. Méx.
•Centro Cultural Rafael Solana. Mexico DF. Mex.
•Casa de Cultura de Altamira, Tijuana B.C. Méx.
•ICBC, Instituto de Cultura de Baja California,Tijuana. Méx.
•Ostello Monaci y Ristorante Vallerosa Roma, Italia.
•Centro Cultural El Foro. Mexico DF. Mex.
•CECUT, Centro Cultural Tijuana, B.C. Méx.
•Museo San Vicente. Guanajuato, Méx.
•Galeria Hispano. Lima, Peru.
•Galeria del Teatro Angela Peralta. Mazatlán. Méx.
•Museo Interactivo El Trompo. Tijuana. BC. Mex.
•Museo Mia. Modular Ines Arredondo. Culiacan. Sin. Mex.
•CASAL MONACI, Festival Dall Appia Antica, Roma, Italia.
•ICBC, Instituto de Cultura de Baja California, Tecate. Méx
•Palacio Municipal de Tijuana. Baja California.
•Palacio Municipal de Mascota. Jalisco.
Presentando su obra empezando en 2012 en:
•Casa de Cultura de Sonora. Hermosillo, Sonora.
•Casa de Cultura Colomos. Guadalajara, Jalisco.
•Lobby Casino Caliente. Tijuana, Baja California.
•Casa de Cultura de Guerrero Negro. Muleje, Baja California.
•Casa de Cultura de Santa Rosalia. Muleje, Baja California.
•Museo El Trompo Magico. Guadalajara, Jalisco.
•Museo El Sol del Niño. Mexicali, Baja California.
-------------------------------------
NFIA National Foundation of Independent Artist
Fundacion Nacional de Artistas Independientes
http://www.nfiaartists.webs.com/
Galeria Rio Rita, Av. Revolución entre 4ta y Madero
Tijuana, B.C.
152*14*20447/ (044664)2330429
A PERSONAL TOUCH by Claudia Lugo
If ever there was a marriage of labor and love, Enrique Chiu has found the formula. Both practical and passionate, Chiu’s life-long experience with the commercial arts spills over to his creative endeavors so smoothly that neither usurps his loyalty more than the other. With graphic design as his introduction to the arts, his approach to the canvas is informed by pure colors, broad lines, and stylized figures.
Chiu’s style is easily identifiable. Some signature recurrences are the use of a guitar, and of musical notes that can usually be found either in the foreground or cleverly implied in the background. All other figures usually revolve around this central theme, and carry the very vibration of music and a festive atmosphere. On a lifted plane, people dance, musicians play their instruments, women move suggestively, and sound becomes tangible. Suddenly, the concrete and the emotive share a space. A hand reaches out and can touch the waves of music. Two worlds collide in a pandemonium of color and movement.
The lines with which Chiu encases his subjects are emotively drawn. Brushstrokes move quickly, gestures are documented, and colors overlap instead of bleeding into each other. Arms are curved, defying anatomic accuracy, fingers open like fans, and faces are simplified to their most economic expression. There is an abundance of movement in Chiu’s work, and the waves seem to want to fall right off the canvas.
Though he has matured a particular signature, there is a progression waiting to come from it and on to other ventures. One can see that it is fermenting, that certain strokes have begun to hint at a different sensuality. The anticipation of work to come might delve into other techniques, but Chiu states, adamantly, that his work will always have the same flavor. This is what he is familiar with, this is what “feels right” and it is not produced with a commercial intent, but simply as a mode of expression. That his work has sold well is happenstance, and he is always the first to be surprised at the interest in what came of a moment of inspiration.
Enrique Chiu, Nació en Guadalajara Jalisco, México,donde inicio su carrera profesional, en Diseño Grafico y Artes plásticas.
Terminando sus estudios en escuelas de Long Beach y Santa Ana California. Lic. En Diseño y Artes Audiovisuales y Lic. Mercadotecnia.
También ha tomado seminarios en Desarrollo de estudios y didáctica de las Artes, y Políticas Publicas y políticas Culturales , Conaculta.
Aceptado por la gente como una figura de las artes en el medio latino, es considerado uno de los artistas jóvenes reconocidos no solo en el área fronteriza, sino de manera internacional, es uno de los principales promotores del desarrollo artístico en varias comunidades al sur de california, EUA y de algunas localidades internacionales como, Argentina, México, El Salvador, Perú, España y Medio Oriente.
Teniendo mas de 15 años de trayectoria Artística y Promotora.
•Actualmente es Director de Arte, para varias galerias y eventos culturales en varias Ciudades del Estado de Baja California, San Diego,
Long Beach, y Los Angeles, California.
Long Beach, y Los Angeles, California.
•Fundador de NFIA. (Fundacion Nacional de Artistas Independientes)
•Director de arte de C1D Gallery en el Distrito de Arte de Long Beach, California, Estados Unidos,
•Director de Revista CITIES MAGAZINE.ORG en USA - México.
•Coordinador de Galerías IMAC. 2009-2010 (Instituto Municipal de Arte y Cultura de Tijuana)
• A lo largo de su carrera ha logrado participar en más de 400 exposiciones Nacionales e Internacionales.
Y más de 80 Festivales Culturales, apoyando con exposiciones de Arte en la Frontera México - Estados Unidos.
•Exposición en muestras Colectivas: recibiendo menciones por sus obras en revistas, periódicos y medios informativos de renombre, en varios países, USA, México, España, Argentina, Venezuela.
Sus Obras se han expuesto :
•Museum of Latin American Art. Long Beach, CA.•Museo de la Ciudad de Tecate, B. C. Méx.
•Richard Nixon Library and Museum, Yorba Linda , CA.
•Museo Miguel Hidalgo Abasolo, Guanajuato. Méx
•Museo Bowers, Santa Ana, CA.
•Casa de Cultura de Zamora, Michoacan. Méx.
•Centro Cultural de la Raza, San Diego, CA.
•Centro Cultural Queen Bee`s, en San Diego CA.
•Museo de la Ciudad de Panamá.
•Museo de la Ciudad de Irapuato, Guanajuato. Méx.
•Museo de la Ciudad de El Salvador. El Salvador.
•Museo de Arte de Neon, Los Angeles, CA.
•Palacio de la Cultura Tijuana, B.C. Méx.
•Casa de Cultura de Playas, Tijuana B.C. Méx.
•Centro Cultural Rafael Solana. Mexico DF. Mex.
•Casa de Cultura de Altamira, Tijuana B.C. Méx.
•ICBC, Instituto de Cultura de Baja California,Tijuana. Méx.
•Ostello Monaci y Ristorante Vallerosa Roma, Italia.
•Centro Cultural El Foro. Mexico DF. Mex.
•CECUT, Centro Cultural Tijuana, B.C. Méx.
•Museo San Vicente. Guanajuato, Méx.
•Galeria Hispano. Lima, Peru.
•Galeria del Teatro Angela Peralta. Mazatlán. Méx.
•Museo Interactivo El Trompo. Tijuana. BC. Mex.
•Museo Mia. Modular Ines Arredondo. Culiacan. Sin. Mex.
•CASAL MONACI, Festival Dall Appia Antica, Roma, Italia.
•ICBC, Instituto de Cultura de Baja California, Tecate. Méx
•Palacio Municipal de Tijuana. Baja California.
•Palacio Municipal de Mascota. Jalisco.
Presentando su obra empezando en 2012 en:
•Casa de Cultura de Sonora. Hermosillo, Sonora.
•Casa de Cultura Colomos. Guadalajara, Jalisco.
•Lobby Casino Caliente. Tijuana, Baja California.
•Casa de Cultura de Guerrero Negro. Muleje, Baja California.
•Casa de Cultura de Santa Rosalia. Muleje, Baja California.
•Museo El Trompo Magico. Guadalajara, Jalisco.
•Museo El Sol del Niño. Mexicali, Baja California.
2011. Artista Invitado por el Gobierno del Estado de Guanajuato México. Informe de Gobierno.
2011. Artista de SUU ART Magazine. España
2010. Artista Invitado por el Gobierno del Estado de B.C. al evento Tijuana Innovadora, Explanada del CECUT, Tijuana.
2010. Artista Invitado para Internacional Foraneo Fest, Ensenada. BC. México.
2010. Seleccionado Nacional como Artista del Bicentenario, en Edo. de Guanajuato, México.
2010. Artista de Yareah Magazine, mes de Mayo. España
2010. Artista Invitado a la Asociación Ocre y Oro en España.
2010. Artista Invitado Kikked! Magazine , USA.
2010. Invitado especial para Browers Museum en el evento Tradicional 2010, USA.
2009. Pre-seleccionado para la XVII Bienal de Baja California. México
2008. Artista Sobresaliente, Destinations Magazine, marzo LB. USA
2007. Artista de Long Beach View Magazine, Febrero LB. USA-------------------------------------
Lic. Enrique Chiu
Director Artistico Mexico/Usa
NFIA Founder
Director Artistico Mexico/Usa
NFIA Founder
Facebook.com/Enrique Chiu Arte
www.enriquechiu.webs.com
www.enriquechiu.org
Facebook.com/Nfia Artistas
www.nfia.info
Facebook.com/Cities Mag
www.citiesmagazine.org
www.enriquechiu.org
Facebook.com/Nfia Artistas
www.nfia.info
Facebook.com/Cities Mag
www.citiesmagazine.org
Sin más por el momento, reciba un cordial saludo
NFIA National Foundation of Independent Artist
Fundacion Nacional de Artistas Independientes
http://www.nfiaartists.webs.com/
Galeria Rio Rita, Av. Revolución entre 4ta y Madero
Tijuana, B.C.
152*14*20447/ (044664)2330429
A PERSONAL TOUCH by Claudia Lugo
If ever there was a marriage of labor and love, Enrique Chiu has found the formula. Both practical and passionate, Chiu’s life-long experience with the commercial arts spills over to his creative endeavors so smoothly that neither usurps his loyalty more than the other. With graphic design as his introduction to the arts, his approach to the canvas is informed by pure colors, broad lines, and stylized figures.
Chiu’s style is easily identifiable. Some signature recurrences are the use of a guitar, and of musical notes that can usually be found either in the foreground or cleverly implied in the background. All other figures usually revolve around this central theme, and carry the very vibration of music and a festive atmosphere. On a lifted plane, people dance, musicians play their instruments, women move suggestively, and sound becomes tangible. Suddenly, the concrete and the emotive share a space. A hand reaches out and can touch the waves of music. Two worlds collide in a pandemonium of color and movement.
The lines with which Chiu encases his subjects are emotively drawn. Brushstrokes move quickly, gestures are documented, and colors overlap instead of bleeding into each other. Arms are curved, defying anatomic accuracy, fingers open like fans, and faces are simplified to their most economic expression. There is an abundance of movement in Chiu’s work, and the waves seem to want to fall right off the canvas.
Though he has matured a particular signature, there is a progression waiting to come from it and on to other ventures. One can see that it is fermenting, that certain strokes have begun to hint at a different sensuality. The anticipation of work to come might delve into other techniques, but Chiu states, adamantly, that his work will always have the same flavor. This is what he is familiar with, this is what “feels right” and it is not produced with a commercial intent, but simply as a mode of expression. That his work has sold well is happenstance, and he is always the first to be surprised at the interest in what came of a moment of inspiration.
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