Friday, February 1, 2008
INTERVIEW WITH LONG BEACH VIEW MAGAZINE
Enrique Chiu
Enrique Chiu is Gardea’s neighbor with a 2,000- square-foot studio above Utopia Restaurant at the corner of First and Linden. At the top of his stairs is a 1897 piano, above which is “Flamenco,” a painting of flamenco, tango, and salsa dancing, complete with his signature guitar. To its right is “La Loca,” a large canvas with mannequin parts and wild, red hair emerging from the paint.
Chiu’s colors are bold—a Mayan priest who for the uninitiated appears to be a blue angel with black, red-tipped wings. “He’s in anguish or ecstasy,” Chiu says. “He’s trying to express it, but cannot.”
Chiu is creating work for a February show about Mayans and neon. The novelty of such a marriage brings a spark to his eyes. But sure enough, all about his studio are paintings and sculptures of pre-Columbian gods intertwined with neon tubing. “I went to the Yucatan to see my dad’s family,” he says. “They all looked like Mayans. I love that culture.”
Yet his heritage is more complicated than that: His grandfather was Chinese, his grandmother Arabic, his mother’s family was from Spain, and his father has German and Italian blood as well. Born in Veracruz, Chui honors all his lineages, as both Buddhist and Catholic statuary pepper his shelves, and his books range from business and the Bible to massage and the kabbalah. Truly he is a cosmopolitan man who is fluent in English and Spanish, and speaks a little Portuguese.
The good-looking 34-year-old may not have a lot of time for romance in the traditional sense, since work seems to be his passion. Like Gardea, he is active in the East Village Arts District, which sponsors Artwalks the second Saturday of each month, 4-10 p.m. He runs C1D, which does the make-up, hair-styling, and photography for fashion shoots, portfolios, weddings, proms, and other special events. Cake decorating and catering can be added on, if needed. He creates neon signage for restaurants and cafes, as well as murals for commercial venues. At his C1D Gallery at 441 E. First St., he hosts monthly exhibitions through his nonprofit organization, the National Foundation of Independent Artists, showcasing talent from around the world. “The gallery is booked through June,” he says proudly.
What’s more, he is opening a gallery to showcase his own work in Guadalajara. And he has shows coming up in France and Italy this year. When he gets an extra moment—whenever that is—he studies French online in his cramped, book-laden office. “Keep learning, keep doing, never stop,” he says.
A portrait of the singer Sade looks down at him from the wall above his desk. It was painted by a man who murdered his wife in 1990 and has been in prison since. Chiu acquired the painting through the cousin of his best friend, who is Sade’s manager. The prisoner had given the painting to Sade in thanks for the clothing and other items she had donated to the prison. “He used his fingers to paint this,” Chiu says, explaining that prisoners are not allowed to have brushes, as they could be used as weapons. He is clearly impressed by the prisoner’s drive to create art despite these limitations, and perhaps the portrait serves as a daily prod to Chiu to push himself to his full potential.
Chiu says he gives no thought to cutting back on the make-up, hair-styling, and signage and simply concentrating on his gallery art. “I’m an electrician, a welder, a fashion designer, a graphic artist, a painter, a sculptor, a marketing person, a business man. I don’t want to give any of that up. It’s all art,” he says in defense of his many outlets for expression. “It’s all creating something.”
by Heidy Nye - Long Beach View Magazine
Enrique Chiu is Gardea’s neighbor with a 2,000- square-foot studio above Utopia Restaurant at the corner of First and Linden. At the top of his stairs is a 1897 piano, above which is “Flamenco,” a painting of flamenco, tango, and salsa dancing, complete with his signature guitar. To its right is “La Loca,” a large canvas with mannequin parts and wild, red hair emerging from the paint.
Chiu’s colors are bold—a Mayan priest who for the uninitiated appears to be a blue angel with black, red-tipped wings. “He’s in anguish or ecstasy,” Chiu says. “He’s trying to express it, but cannot.”
Chiu is creating work for a February show about Mayans and neon. The novelty of such a marriage brings a spark to his eyes. But sure enough, all about his studio are paintings and sculptures of pre-Columbian gods intertwined with neon tubing. “I went to the Yucatan to see my dad’s family,” he says. “They all looked like Mayans. I love that culture.”
Yet his heritage is more complicated than that: His grandfather was Chinese, his grandmother Arabic, his mother’s family was from Spain, and his father has German and Italian blood as well. Born in Veracruz, Chui honors all his lineages, as both Buddhist and Catholic statuary pepper his shelves, and his books range from business and the Bible to massage and the kabbalah. Truly he is a cosmopolitan man who is fluent in English and Spanish, and speaks a little Portuguese.
The good-looking 34-year-old may not have a lot of time for romance in the traditional sense, since work seems to be his passion. Like Gardea, he is active in the East Village Arts District, which sponsors Artwalks the second Saturday of each month, 4-10 p.m. He runs C1D, which does the make-up, hair-styling, and photography for fashion shoots, portfolios, weddings, proms, and other special events. Cake decorating and catering can be added on, if needed. He creates neon signage for restaurants and cafes, as well as murals for commercial venues. At his C1D Gallery at 441 E. First St., he hosts monthly exhibitions through his nonprofit organization, the National Foundation of Independent Artists, showcasing talent from around the world. “The gallery is booked through June,” he says proudly.
What’s more, he is opening a gallery to showcase his own work in Guadalajara. And he has shows coming up in France and Italy this year. When he gets an extra moment—whenever that is—he studies French online in his cramped, book-laden office. “Keep learning, keep doing, never stop,” he says.
A portrait of the singer Sade looks down at him from the wall above his desk. It was painted by a man who murdered his wife in 1990 and has been in prison since. Chiu acquired the painting through the cousin of his best friend, who is Sade’s manager. The prisoner had given the painting to Sade in thanks for the clothing and other items she had donated to the prison. “He used his fingers to paint this,” Chiu says, explaining that prisoners are not allowed to have brushes, as they could be used as weapons. He is clearly impressed by the prisoner’s drive to create art despite these limitations, and perhaps the portrait serves as a daily prod to Chiu to push himself to his full potential.
Chiu says he gives no thought to cutting back on the make-up, hair-styling, and signage and simply concentrating on his gallery art. “I’m an electrician, a welder, a fashion designer, a graphic artist, a painter, a sculptor, a marketing person, a business man. I don’t want to give any of that up. It’s all art,” he says in defense of his many outlets for expression. “It’s all creating something.”
by Heidy Nye - Long Beach View Magazine
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BIOGRAFIA - ESPANOL
BIOGRAFIA ARTISTA
Enrique Chiu, nacido en la ciudad de Guadalajara, Mexico. Estudio en la Escuela elemental de Artes Graficas de Guadalajara. Ingreso a Diseno y Artes Audiovisuales y Derecho en Guadalajara y poco despues viajo a Los Angeles California donde continuo sus estudios de Diseno Grafico, Arte y Pintura, Fotografia, Electricidad, Soldadura, Mercadeo y Negocios en escuelas de Long Beach y Santa Ana , California.Es considerado como uno de los artistas jovenes y reconocidos en el area local de los angeles, y uno de los iniciadores en promover el desarrollo artistico de varias comunidades en el sur de California, asi como de algunos artistas de otros paises como Estados Unidos, Argentina, Mexico, El Salvador, Peru, Espana y del Medio Oriente, en galerias en el sur de California. Aceptandose por la gente como una figura de las artes en el medio Latino. Director de arte de C1D Gallery en el Distrito de Arte de Long Beach, California desde el ano 2003 en el que ha mostrado diferentes medios de arte, dirigiendo y curando muestras para otros artistas. Asi como Fundador de NFIA (Fundacion Nacional de Artistas Independientes) desde el 2006 en la que colaboran mas de 20 artistas locales, y de otros paises, para la realizacion de exhibiciones de arte y eventos de caridad y Beneficiarios.Tambien con el patrocinio de Importantes personas e Instituciones de Gobierno. Ha expuesto en muestras colectivas, compartidas e individuales, recibiendo una mencion por sus obras en revistas y medios informativos reconocidos.Y al mismo tiempo a realizado cursos y seminarios dentro de la Fundacion en la que actualmente colabora.
PERSONAL
Mi nombre Enrique Chiu, desde muy chico me intereso el arte. Especialmente por el dibujo y la pintura.Durante algunos años no experimenté el placer de ejercerlo cuando estuve en la escuela preparatoria, hasta hace 10 años, sentado frente a un papel empecé a dibujar, desde ese entonces, no pude dejar de hacerlo con todo el placer que ello me representa.Tengo una total comunicación con mis obras, desde el comienzo, desde el contacto directo con la manta hasta el momento de firmar el trabajo, existe una union entre mi y la obra muy estrecha, cuando comienzo aveces no se lo que voy a realizar me dejo llevar por la inspiración y las emociones.Muchas veces me embarga una emoción muy grande cuando veo el trabajo terminado, y eso me hace demasiado feliz. En cada una de mis obras espero traslucir el sentimiento que pongo al pintarlas la interpretación de ellas me comunica con el receptor de una forma muy especial ya que deja ver mi Alma de pintor dejando traslucir mi sentir y mi amor por el Arte y la Musica.
Propuesta de Exhibicion, y talleres de arte.
La Fundacion Nacional de Artistas Independientes tiene como proposito el incorporarse con instituciones y organizaciones de Arte, con el hecho de llevar acabo exhibiciones de arte de cualquier medio y eventos beneficiarios para ayudar a los mismos artistas y otras comunidades de caridad, recaudando fondos. Asi como hacer subastas, murales y talleres de arte para los ninos.
El NFIA (Fundacion Nacional de Artistas Independientes) es una organization colectiva de artistas asociados. Fundado con el proposito de renovar la integridad progresiva del arte, siendo cultural y politica.
NFIA es una organization no-lucrativa creada para mantener la comunicacion, y los procesos de artistas por artistas.
NFIA expresa a la comunidad la importancia de la re-evaluacion cuando viene de las ideas de y sobre futuras generaciones entre la combinacion de actos de Caridad y otros eventos artisticos, NFIA ayudara a restaurar el idealismo, y ayudar a la causa.
En NFIA examinamos a los artistas y los ayudamos para la realizacion de algun evento, asi como platicas de tecnicas, procesos, y proyectos de venta con el proposito de que se envuelvan con la sociedad de ahora.
NFIA cree que en los artistas como unica responsabilidad es integrarse a la sociedad y construir nuevas soluciones de los problemas y contradicciones existentes de nuestra comunidad.
NFIA Exhibicion de Arte “Arte sin Fronteras“ Art without borders“ Luces Viajeras”
Viajando atravez de la velocidad de la luz NFIA, continua para brindar colecciones de arte fino al publico en general. Nuestro Fundador Enrique Chiu nos muestra en esta exhibicion ambulante, sus obras creadas y mas recientes. La exhibicion Ambulante es una perspectiva ambiciosa de paisajes historicos y culturales. Esta exhibicion de varios medios de pintura y algunos mezclados con neon reflejan el poder de la luz a iluminar grades distancias. Chiu nos vuleve a mostrar su manera expresiva de pintar y convertir la forma de la luz para mantener la imaginacion de futuras generaciones.
A PERSONAL TOUCH by Claudia Lugo
If ever there was a marriage of labor and love, Enrique Chiu has found the formula. Both practical and passionate, Chiu’s life-long experience with the commercial arts spills over to his creative endeavors so smoothly that neither usurps his loyalty more than the other. With graphic design as his introduction to the arts, his approach to the canvas is informed by pure colors, broad lines, and stylized figures.
Chiu’s style is easily identifiable. Some signature recurrences are the use of a guitar, and of musical notes that can usually be found either in the foreground or cleverly implied in the background. All other figures usually revolve around this central theme, and carry the very vibration of music and a festive atmosphere. On a lifted plane, people dance, musicians play their instruments, women move suggestively, and sound becomes tangible. Suddenly, the concrete and the emotive share a space. A hand reaches out and can touch the waves of music. Two worlds collide in a pandemonium of color and movement.
The lines with which Chiu encases his subjects are emotively drawn. Brushstrokes move quickly, gestures are documented, and colors overlap instead of bleeding into each other. Arms are curved, defying anatomic accuracy, fingers open like fans, and faces are simplified to their most economic expression. There is an abundance of movement in Chiu’s work, and the waves seem to want to fall right off the canvas.
Though he has matured a particular signature, there is a progression waiting to come from it and on to other ventures. One can see that it is fermenting, that certain strokes have begun to hint at a different sensuality. The anticipation of work to come might delve into other techniques, but Chiu states, adamantly, that his work will always have the same flavor. This is what he is familiar with, this is what “feels right” and it is not produced with a commercial intent, but simply as a mode of expression. That his work has sold well is happenstance, and he is always the first to be surprised at the interest in what came of a moment of inspiration
Enrique Chiu, nacido en la ciudad de Guadalajara, Mexico. Estudio en la Escuela elemental de Artes Graficas de Guadalajara. Ingreso a Diseno y Artes Audiovisuales y Derecho en Guadalajara y poco despues viajo a Los Angeles California donde continuo sus estudios de Diseno Grafico, Arte y Pintura, Fotografia, Electricidad, Soldadura, Mercadeo y Negocios en escuelas de Long Beach y Santa Ana , California.Es considerado como uno de los artistas jovenes y reconocidos en el area local de los angeles, y uno de los iniciadores en promover el desarrollo artistico de varias comunidades en el sur de California, asi como de algunos artistas de otros paises como Estados Unidos, Argentina, Mexico, El Salvador, Peru, Espana y del Medio Oriente, en galerias en el sur de California. Aceptandose por la gente como una figura de las artes en el medio Latino. Director de arte de C1D Gallery en el Distrito de Arte de Long Beach, California desde el ano 2003 en el que ha mostrado diferentes medios de arte, dirigiendo y curando muestras para otros artistas. Asi como Fundador de NFIA (Fundacion Nacional de Artistas Independientes) desde el 2006 en la que colaboran mas de 20 artistas locales, y de otros paises, para la realizacion de exhibiciones de arte y eventos de caridad y Beneficiarios.Tambien con el patrocinio de Importantes personas e Instituciones de Gobierno. Ha expuesto en muestras colectivas, compartidas e individuales, recibiendo una mencion por sus obras en revistas y medios informativos reconocidos.Y al mismo tiempo a realizado cursos y seminarios dentro de la Fundacion en la que actualmente colabora.
PERSONAL
Mi nombre Enrique Chiu, desde muy chico me intereso el arte. Especialmente por el dibujo y la pintura.Durante algunos años no experimenté el placer de ejercerlo cuando estuve en la escuela preparatoria, hasta hace 10 años, sentado frente a un papel empecé a dibujar, desde ese entonces, no pude dejar de hacerlo con todo el placer que ello me representa.Tengo una total comunicación con mis obras, desde el comienzo, desde el contacto directo con la manta hasta el momento de firmar el trabajo, existe una union entre mi y la obra muy estrecha, cuando comienzo aveces no se lo que voy a realizar me dejo llevar por la inspiración y las emociones.Muchas veces me embarga una emoción muy grande cuando veo el trabajo terminado, y eso me hace demasiado feliz. En cada una de mis obras espero traslucir el sentimiento que pongo al pintarlas la interpretación de ellas me comunica con el receptor de una forma muy especial ya que deja ver mi Alma de pintor dejando traslucir mi sentir y mi amor por el Arte y la Musica.
Propuesta de Exhibicion, y talleres de arte.
La Fundacion Nacional de Artistas Independientes tiene como proposito el incorporarse con instituciones y organizaciones de Arte, con el hecho de llevar acabo exhibiciones de arte de cualquier medio y eventos beneficiarios para ayudar a los mismos artistas y otras comunidades de caridad, recaudando fondos. Asi como hacer subastas, murales y talleres de arte para los ninos.
El NFIA (Fundacion Nacional de Artistas Independientes) es una organization colectiva de artistas asociados. Fundado con el proposito de renovar la integridad progresiva del arte, siendo cultural y politica.
NFIA es una organization no-lucrativa creada para mantener la comunicacion, y los procesos de artistas por artistas.
NFIA expresa a la comunidad la importancia de la re-evaluacion cuando viene de las ideas de y sobre futuras generaciones entre la combinacion de actos de Caridad y otros eventos artisticos, NFIA ayudara a restaurar el idealismo, y ayudar a la causa.
En NFIA examinamos a los artistas y los ayudamos para la realizacion de algun evento, asi como platicas de tecnicas, procesos, y proyectos de venta con el proposito de que se envuelvan con la sociedad de ahora.
NFIA cree que en los artistas como unica responsabilidad es integrarse a la sociedad y construir nuevas soluciones de los problemas y contradicciones existentes de nuestra comunidad.
NFIA Exhibicion de Arte “Arte sin Fronteras“ Art without borders“ Luces Viajeras”
Viajando atravez de la velocidad de la luz NFIA, continua para brindar colecciones de arte fino al publico en general. Nuestro Fundador Enrique Chiu nos muestra en esta exhibicion ambulante, sus obras creadas y mas recientes. La exhibicion Ambulante es una perspectiva ambiciosa de paisajes historicos y culturales. Esta exhibicion de varios medios de pintura y algunos mezclados con neon reflejan el poder de la luz a iluminar grades distancias. Chiu nos vuleve a mostrar su manera expresiva de pintar y convertir la forma de la luz para mantener la imaginacion de futuras generaciones.
A PERSONAL TOUCH by Claudia Lugo
If ever there was a marriage of labor and love, Enrique Chiu has found the formula. Both practical and passionate, Chiu’s life-long experience with the commercial arts spills over to his creative endeavors so smoothly that neither usurps his loyalty more than the other. With graphic design as his introduction to the arts, his approach to the canvas is informed by pure colors, broad lines, and stylized figures.
Chiu’s style is easily identifiable. Some signature recurrences are the use of a guitar, and of musical notes that can usually be found either in the foreground or cleverly implied in the background. All other figures usually revolve around this central theme, and carry the very vibration of music and a festive atmosphere. On a lifted plane, people dance, musicians play their instruments, women move suggestively, and sound becomes tangible. Suddenly, the concrete and the emotive share a space. A hand reaches out and can touch the waves of music. Two worlds collide in a pandemonium of color and movement.
The lines with which Chiu encases his subjects are emotively drawn. Brushstrokes move quickly, gestures are documented, and colors overlap instead of bleeding into each other. Arms are curved, defying anatomic accuracy, fingers open like fans, and faces are simplified to their most economic expression. There is an abundance of movement in Chiu’s work, and the waves seem to want to fall right off the canvas.
Though he has matured a particular signature, there is a progression waiting to come from it and on to other ventures. One can see that it is fermenting, that certain strokes have begun to hint at a different sensuality. The anticipation of work to come might delve into other techniques, but Chiu states, adamantly, that his work will always have the same flavor. This is what he is familiar with, this is what “feels right” and it is not produced with a commercial intent, but simply as a mode of expression. That his work has sold well is happenstance, and he is always the first to be surprised at the interest in what came of a moment of inspiration








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